22 products

We have two main categories of lights used in underwater illumination-- Spot and Floodlights. Traditionally, spotlights are quite common for primary dive lights due to the narrow (yet powerful) beam to communicate from large distances. Floodlights are often used to illuminate a specific scene; however, make for poor communication using the light as a signaling device. 

Lighting Features to Consider

  • First, and most important is your budget. Sure, there are other features below, but there are many lights to choose from to meet your needs.

  • Lumens – You'll hear "the brighter the better;" and this is true. You can never have too much power, but you do need the ability to control it. When visibility is poor, we dim the lights to penetrate further (the same reason why we run low beam vs. high beams in our cars in the rain).

  • Beam Angle – How wide or narrow the beam is. The more narrow the beam, the easier it is to signal and communicate using light. The wider the beam, the shorter the distance, but more illumination within that illuminated area--think video lights.

  • Operations – How do we control the light:  Dimming, Turn OFF/ON, mounting location, and functionality used to operate the light.

  • Power Modes and Factory Set Levels – Most lights come with a HIGH and LOW setting. Other lights have the ability to "press and hold" to dim to the desired brightness. For normal diving standard settings are fine. For photography/videography you'll want total control of the light output.

  • Beam Quality – Is the beam nice and even or does it have hotspots. Does it have a large reflector or smaller one? Too small of light compared with a large reflector won't penetrate far; however, makes for a great focus light.

  • CRI Rating (Photo/Video Lights) - Measured typically in CRI - Color Rendering Index. CRI is the measurement of how colors look under a light source when compared with sunlight. The index is measured from 0-100, with a perfect 100 indicating that colors under the light source appear the same as they would under natural sunlight.

  • Mounts – Which mounts does the light come with, and how does it fasten to a camera try or handle for use. Several types of mounts are ball joints, clamps, goodman handles, soft handles, and even GoPro mounts.

  • Batteries and Charging – The size and capacity of the battery matters when it comes to maintaining illumination. Some brands falsely advertise high output on battery cells that are simply unable to produce the necessary power. Remember, we are not in a 'factory controlled environment.' Some lights allow you to remove/replace the battery while others require a dedicated charging cable. All batteries deplete over time, so invest in high-quality ones.  


When trying to capture the real colors during an underwater scene, we need to incorporate artificial lighting systems in our photography and videography. There are two primary types of lighting used underwater, Strobes and Continuous Light, to choose from.

If you are a photographer with a mirrorless or DSLR camera, you'll likely be selecting a strobe light. If you plan to capture video, you'll want to select a continuous. For our professionals, we often use powerful video lights for photography as we can illuminate the scene and set up our subjects better. If you can't decide, check out our multipurpose lights and capture the best of both worlds.

    22 products
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    Black Red Blue Pink
    PV10S (1,200 lumens) - Budget MACRO Video Light
    Black Red Pink Blue +1
    RD80 (1,200 Lumens) - Backup Light
    Sale price $69.00 Regular price $74.95 Save 8%
    PV22 & PV22-UV (2,000 lumens) - Action Camera Video with UltraViolet
    from $124.95
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    PV32T (3000 Lumens / 1200 Lumen Spot) - Flood (White, Red, Blue LEDs)
    RD95 (4000 Lumens) - Primary Technical Dive Light
    Black Silver
    P53 Video & Strobe (5000 Lumen Video / 10,000 Lumen Strobe)
    Black Silver
    V4K v2 - 7,600 lumens Video Light
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    Black Silver
    V4K.II PRO (7,600 Lumens) - Extended Battery Semi-Pro Video Light
    Black Silver
    V6K v2 -12,000 lumens Powerful Video Light in Travel Package
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    V6K.II PLUS (12,000 lumens) - High Capacity / BLACKWATER Version
    V12K Video Light (24,000 Lumens)
    Macro Snoot Light - MS10 (100.000 lux at 100mm)
    RD92 (2000 Lumens)
    Black Red Pink Blue
    RD80 V2 (1,500 Lumens) - Backup Light
    Red Blue Pink Black
    RD90 v2 - 2,000 Lumens Recreational Primary Light
    Black Silver
    V3K v2 - 5,000 Lumens Video Light
    CT18 Primary Technical Handheld Light
    CF21 Primary Technical Spot and Flood light
    CT18 Primary Technical Canister Light
    CF21 Primary Spot and Flood Canister Light
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